Ahmed Parvez

Ahmed Parvez (Urdu: احمد پرویز‎) (1926 – 1979) was a modernist painter from Rawalpindi, Pakistan. He was a member of The Lahore Group in Pakistan[1] and founder of the Pakistan Group in London.[2] He was also among the few early modernists of Pakistani origin to have garnered considerable critical acclaim, with solo exhibitions at the New Vision, Lincoln, and Clement Stephens galleries in London, along with exhibitions at London's Commonwealth Institute and the Ashmolean Museum in Oxford between 1955 and 1964.

In 1962, Parvez held a two-man exhibition at the Lincoln Gallery with American painter Alexander Calder. Ali Imam wrote in 1979 that "Ahmed Parvez has held over 30 solo exhibitions in Europe, US and Pakistan. He is undoubtedly our most exhibited Pakistani painter abroad."[2]

Declaring his paintings to be "art of the highest standard", George Butcher wrote for The Guardian in 1963 that Three in One (II) was "as complete and beautiful a testament to the resolution of the Eastern pattern and Western Tachism as has been accomplished by anyone. The mood is as near to [Paul] Klee as it is to the jeweled ambiance of an Eastern potentate."[2]

The Oxford Mail review of Parvez’s work noted that “it takes an extremely clear vision or strong personality to impose such an individual character on an abstract or near abstract design. Ben Nicholson, Ivon Hitchens, Jackson Pollock and R.J. Hitchcock are among the few that have it; so is Ahmed Parvez.[2]

In the 1950s, Victor Musgrave, a British poet, art dealer and curator of Gallery One, considered Parvez to be “without question, the outstanding artist from Pakistan who has made a very strong impact upon the English art world. His extension into the West of the ideals implicit in Muslim art has been an effort of unique importance.”[2] Ahmed Parvez attempted to integrate Modernism into Pakistani art.